The rhythm of the movement over time has to be in the line, by itself. Rhythm interrupts, distinguishes and determines the line and the drawing.

The drawing represents the visible and uncovers imagination, ideas, reflections and intuitions. Drawing can come in many forms; it can be documentation, information or art. But it is always communication.

Veronika Wenger

RHYTHM
SECTION
AMBIGUOUS
UNAMBIGUOUS

PLATFORMS
PROJECT
ATHENS
2021

DAILYDOSAGE 24
DANIEL GEIGER
MICHAEL GRAEVE
HENRIËTTE VAN ’T HOOG
DAVID KEFFORD
OLEKSIY KOVAL
GUIDO NIEUWENDIJK
SERENA SEMERARO
XIAO TANG
VERONIKA WENGER
MICHAEL WRIGHT

Curated by SOPHIE-CHARLOTTE BOMBECK

https://platformsproject.com/platforms-2021/platform/rhythm-section/

An omnipresence and invisibility of a phenomenon of our time is the digital – not the information age per se, but its novelty and revolutionary power in all areas of life up to art and art production. Like air and water, the digital is now noticed by its absence rather than its presence. Computers are a comprehensive but invisible part of our everyday life.

In our exhibition Ambiguous Unambiguous we wanted to presents both analogue and digital works by the artists and juxtaposes the respective positions. Not to be confined by the greatest, yet to be contained within the smallest is a definition, which declared the enterprise of the artists group Rhythm Section. The substantive trait, which linked the artists of the group Rhythm Section in their works is the commitment to a hyper reflexivity in dealing with the rhythm, not as a compulsion, but as an original constant. The clear handling of the rhythm allows an endless variety of individual variations.
Thereby the exhibition deals with the topic of new, analogue-digital combinations.

SOPHIE-CHARLOTTE BOMBECK