drawing, film, painting
Veronika Wenger, ich habe mich müde getanzt, 2015, 22,5 x 19,5 cm, watercolor on carton
Veronika Wenger, Untitled, 2016, 60 x 65 cm, watercolor on MDF
Veronika Wenger, drops of water, 2016, 29,7 x 21 cm, watercolor on paper
Henriëtte van ‘t Hoog, Veronika Wenger, Hydrography III, LaKaserna
Veronika Wenger, José Heerkens, Hydrography III, LaKaserna
Veronika Wenger, Hydrography III, LaKaserna
Veronika Wenger, ich habe mich müde getanzt, 2015
Watercolor on carton, 22,5×19,5 cm
Photo © Klaus Mauz
HYDROGRAPHY III
INTERNATIONAL GROUP EXHIBITION WITH CONCEPTUAL AND ABSTRACT WATERCOLOURS
May 19th until June 26th 2016
Opening event will be on Saturday, May 21st 16:00 h
RENÉ VAN DEN BOS
KARINA BUGAYOVA
CHRISTOPH DAHLHAUSEN
INE DAMMERS
IEMKE VAN DIJK
HILDEGARD ELMA
DANIEL GEIGER
LON GODIN
ILONA HAKVOORT
BRENT HALLARD
JOSÉ HEERKENS
HENRIËTTE VAN ‘T HOOG
OLEKSIY KOVAL
IRENE VAN DE MHEEN
ERIC DE NIE
STEFAN SCHESSL
JESSICA SNOW
AIMÉE TERBURG
VERONIKA WENGER
WERNER WINDISCH
Open TH-FR-SA-SU, from 12.00 until 5.00 p.m.
LaKaserna
Molenstraat 5
9693 EJ Bad Nieuweschans
the Netherlands
+31 (0) 597 856422
info@lakaserna.nl
www.lakaserna.nl
Veronika Wenger, Balla, 2011-16, spray, charcoal on wall
Veronika Wenger, Balla, 2011-16, spray, charcoal on wall
Veronika Wenger, Balla, 2011-16, spray, charcoal on wall
Veronika Wenger, Balla, 2011-16, spray, charcoal on wall
Veronika Wenger, Balla, 2011-16, spray, charcoal on wall
Veronika Wenger, Balla, 2011-16, spray, charcoal on wall
Veronika Wenger, Balla, 2011-16, spray, charcoal on wall
Photo © The Beautiful Formula Collective
Photo © The Beautiful Formula Collective
Photo © The Beautiful Formula Collective
Dirigent, marker on melamine, 100 x 90 cm, University of Hertfordshire, 2016
Daniel Geiger, Oleksiy Koval, Veronika Wenger.
Photo © The Beautiful Formula Collective
Sanguiniker, ink on melamine, 60 x 50 cm, University of Hertfordshire, 2016
Daniel Geiger, Oleksiy Koval, Veronika Wenger.
Photo © The Beautiful Formula Collective
V, marker on melamine, 80 x 75 cm, University of Hertfordshire, 2016
Daniel Geiger, Oleksiy Koval, Veronika Wenger
Photo © The Beautiful Formula Collective
Gnade, marker on cotton, 50 x 50 cm, University of Hertfordshire, 2016
Daniel Geiger, Oleksiy Koval, Veronika Wenger
Photo © The Beautiful Formula Collective
Private collection, London
Melancholiker, ink, tape on foil, 125 x 120 cm, University of Hertfordshire, 2016
Daniel Geiger, Oleksiy Koval, Veronika Wenger
Photo © The Beautiful Formula Collective
An outstanding element of the process of painting is the rhythm in which the fabrication of an art work is accomplished. Rhythmical structures generate the process of painting as a more or less determinated movement in space and time. It gives form to the application of colours on surfaces. The rules of such a shaping, its sequence and number can be set and handled as rhythmical motives like, for example, 2,3,1 or 1,1,2. Here the 1 is to be conceived as a basal unity of movement that can be freely chosen. Surface: To gain certainty in dealing with different tempos while applying colours, the surface is divided in parts through numeric impulses that we call meter (1/4, 1/9, 1/16…).
How can such structures and motives of the process of art be performed and presented in a live environment, in front of the audience? The works to be generated are produced in a set point in time on empty image carriers already at hand. Working on them can be executed both alone as well as in a group. Hereby different rhythmical motives, meters, colours and materials as well as the entry of the persons involved are joined, so as to generate a constant composition, however implemented in a variable way.