ANNEKE BOSMA IEMKE VAN DIJK DANIEL GEIGER LON GODIN MICHAEL GRAEVE DAVID KEFFORD OLEKSIY KOVAL GUIDO NIEUWENDIJK SERENA SEMERARO MIRCO TARSI VERONIKA WENGER MICHAEL WRIGHT WRIGHT & VAN ‘T HOOG
Project Coordinators: REMZI SEVER @remzisever BARIŞ SEYITVAN @barisseyitvan UĞUR ORHAN @ugrorhn MURAT KARTAL @_muratkartal
PASSAGE: A GATHERING OF COLLECTIVES
Merkezkaç Art Collective is organizing a meeting of collectives after the “Encounters” exhibition that it co-operated with Space for Culture. With the principle of “unity is strength”, it brings together the art collectives and initiatives operating in various cities in Turkey and abroad. The collectives that come together in the project discuss the social issues such as identity, power, ecology, alienation, migration together with the current problems of contemporary art and try to make suggestions for possible solutions.
The exhibition aims to work on and determine the changes that collectives create through their own art practices in the centre and periphery (off-center) and aims to revive the dialogue environment by discussing the problems of the collectives together. It is among the goals of the project to shed light on the problems of the new collectives and to provide new perspectives to the young artist candidates.
25 Sep 30 Oct 2020 Karşı Sanat Çalışmaları Istanbul
ANNEKE BOSMA video DANIEL GEIGER painting HENRIËTTE VAN ‘T HOOG painting GONGHONG HUANG painting DAVID KEFFORD sculpture, photography, film and animation OLEKSIY KOVAL painting VERONIKA WENGER drawing, film MICHAEL WRIGHT drawing, painting, video
Curated by SOPHIE-CHARLOTTE BOMBECK
In the agony of systems of symbols (systems of expression) a picture is the most boring and tiresome opponent of painting. However, it has happened time and again that one is confused with the other. Perhaps they are not rivals after all, and there is no difference at all between a painting and an image?
German / English 120 pages 56 color photos 220 x 210 x 13 mm 500 g
EUR 24,90
Special thanks for your valuable cooperation and creation of this catalogue to DR. EZGI BAKCAY, SOPHIE-CHARLOTTE BOMBECK, EDUARD KASTNER, OLEKSANDR KOVAL, OLEKSIY KOVAL, PROF. BERNHARD LYPP, SERENA SEMERARO, MICHAEL WRIGHT
Contributed text DR. EZGI BAKCAY, SOPHIE-CHARLOTTE BOMBECK, PROF. BERNHARD LYPP, SERENA SEMERARO, VERONIKA WENGER
Translation SIMON EASTWOOD & MICHAEL WRIGHT
Photo editing DESIGNSTUDIO KOVAL
Photographs BOXES ART MUSEUM SHUNDE, KLAUS MAUZ, REUTEN GALERIE AMSTERDAM, RHYTHM SECTION, UNITED ART MUSEUM WUHAN
Overall production KASTNER AG
The first edition of this publication was generously supported by KASTNER AG, WOLNZACH ARSVERSA KUNST-STIFTUNG, FREIBURG
DANIEL GEIGER MICHAEL GRAEVE HENRIËTTE VAN ’T HOOG DAVID KEFFORD OLEKSIY KOVAL GUIDO NIEUWENDIJK SERENA SEMERARO XIAO TANG VERONIKA WENGER MICHAEL WRIGHT
An omnipresence and invisibility of a phenomenon of our time is the digital – not the information age per se, but its novelty and revolutionary power in all areas of life up to art and art production. Like air and water, the digital is now noticed by its absence rather than its presence. Computers are a comprehensive but invisible part of our everyday life.
In our exhibition ‚ambiguous unambiguous‘ we wanted to presents both analogue and digital works by the artists and juxtaposes the respective positions. Not to be confined by the greatest, yet to be contained within the smallest is a definition, which declared the enterprise of the artists group Rhythm Section. The substantive trait, which linked the artists of the group Rhythm Section in their works is the commitment to a hyper reflexivity in dealing with the rhythm, not as a compulsion, but as an original constant. The clear handling of the rhythm allows an endless variety of individual variations. Thereby the exhibition deals with the topic of new, analogue-digital combinations.
What does the advent of digital mean for art production? What does it mean when “new media”, which were celebrated for several decades in special festivals and institutions, have lost innovation? Is this a sustainable effect whose potential cannot yet be assessed? Which genre-spanning methods can be extracted from the field of “new media” and transferred into thinking figures that reach beyond it?
Due to the current situation and the circumstances of these times, we have decided to show one digital work of each artist in the digital show of the fair 2020 and have renounced the analog counterpart in form of a digital image. Art is always an expression of its time and the environment in which it is created. Instead of the planned juxtaposition of the two types of work, we invite you now more than ever to explore the very different digital means, materials, forms and formats used by the artists. We hope to be able to present the juxtaposition of both analogue and digital at the fair in 2021.
Now in its eighth consecutive year, Platforms Project is the international show that indicatively charts the art currently produced through collective initiatives by young artists on the international scene as they join forces to seek answers to contemporary artistic questions.
Platforms Project establishes a new approach to art viewing via Platforms Project Net, a web-based art fair.
We stay at home but we continue to create and bring together the voices of the independent art scene, demonstrating the power of art and technology.
The Platforms Project Net will enable the art-loving public to access the artists’ groups and their works via a digital exhibition. Viewers can try a new experience by visiting the Platforms Project website for 15 days, from 14 to 31 May 2020 at www.platformsproject.com
